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Bildnachweis: Musikwissenschaftliches Seminar / Universität Paderborn Show image information
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Bildnachweis: Musikwissenschaftliches Seminar / Universität Paderborn Show image information
Bildnachweis HfM Detmold/Frank Beyer Show image information
#ESS2019
Bildnachweis: Musikwissenschaftliches Seminar / Universität Paderborn Show image information
#muwidetmold #digitalmusicology #beethovens_werkstatt Show image information
Bildnachweis: Musikwissenschaftliches Seminar / Universität Paderborn Show image information

Bildnachweis: Musikwissenschaftliches Seminar / Universität Paderborn

Bildnachweis: Musikwissenschaftliches Seminar / Universität Paderborn

Photo: Musikwissenschaftliches Seminar / Universität Paderborn

Bildnachweis HfM Detmold/Frank Beyer

#ESS2019 Bildnachweis: Musikwissenschaftliches Seminar / Universität Paderborn

#muwidetmold #digitalmusicology #beethovens_werkstatt

Photo: AM

Bildnachweis: Musikwissenschaftliches Seminar / Universität Paderborn

Daniel Röwenstrunk

Contact
Profile
Biography
Publications
 Daniel Röwenstrunk

Musikwissenschaftliches Seminar Detmold/Paderborn > Bereich Prof. Dr. Andreas Münzmay

Manager - Research Associate - Center for Music – Edition – Media / NFDI4Culture

Phone:
+49 5251 60-6745
Office:
FU.304
Office hours:

by arrangement

Web:
Web(external):
Visitor:
Fürstenallee 11
33102 Paderborn
A. NFDI4Culture

NFDI4Culture – Nationale Forschungsdateninfrastruktur for Culture

B. Zentrum Musik - Edition - Medien

Das Zentrum Musik – Edition – Medien ist ein durch das Bundesministerium für Bildung und Forschung (BMBF) zunächst für drei Jahre geförderstes Projekt zwischen der Universität Paderborn, der Hochschule für Musik Detmold und der Hochschule Ostwestfalen-Lippe. Im Zentrum werden sowohl Erfahrungen und Kompetenzen als auch Konzepte und Methoden aus der Musikwissenschaft, verschiedenen Bereichen der Informatik (Kontextuelle Informatik, Mensch-Computer-Interaktion, Musik- und Filminformatik sowie Softwaretechnik) und den Medienwissenschaften (Medienpädagogik und Medienökonomie) gebündelt, um musikalische und weitere, primär nicht-textuelle Objekte im Kontext digitaler Editionen in den Fokus der Forschung zu rücken.

 

C. Main areas of work
  • Research Data Management Officer at the University of Paderborn
  • Co-spokesperson in the NFDI4Culture project
  • Management of the Centre for Music, Edition, Media
  • Research in the field of sustainable software development
  • Research in the field of digital music/media editions
  • Consultation on new research projects up to the point of cooperation
  • Development of tools to support the creation and use of digital music/media editions
  • Further education and teaching in the field of digital humanities
D. Projekte und Verbünde
 Daniel Röwenstrunk
07/2021 - today

Research Data Management Officer at the University of Paderborn

10/2020 - today

Co-Spokesperson in DFG project NFDI4Culture at University of Paderborn

01/2020 - today

Expert for Open Scholarship in Knowledge Exchange (KE)

09/2014 - today

Managing Director of the Centre for Music, Edition, Media (ZenMEM) at the University of Paderborn

ZenMEM was a BMBF project from September 2014 to February 2020. Since March 2020, ZenMEM has been sponsored by the University of Paderborn.

07/2012 - 09/2014

Research assistant in the BMBF project "Freischütz Digital - Paradigmatische Umsetzung eines genuin digitalen Editionskonzepts" (FreiDi) at the Musicological Institute of University of Paderborn

Lead of the project from July 2012 to October 2015.

02/2006 - 06/2012

Research assistant in the DFG project "Digitale Musikedition" (Edirom) at the Musicological Institute of University of Paderborn

10/2000 - 01/2006

Studies in Business Computing at the University of Paderborn (degree Diploma)

Title of thesis: „Local Branching und Branching-Regeln für Dienstplanungsprobleme im ÖPNV bei unregelmäßigen Fahrplänen“


Open list in Research Information System

2020

NFDI4Culture - Consortium for research data on material and immaterial cultural heritage

R. Altenhöner, I. Blümel, F. Boehm, J. Bove, K. Bicher, C. Bracht, O. Brand, L. Dieckmann, M. Effinger, M. Hagener, A. Hammes, L. Heller, A. Kailus, H. Kohle, J. Ludwig, A. Münzmay, S. Pittroff, M. Razum, D. Röwenstrunk, H. Sack, H. Simon, D. Schmidt, T. Schrade, A. Walzel, B. Wiermann, Research Ideas and Outcomes (2020)

<jats:p>Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural research data such as encoding and annotation formats. The long-term preservation and FAIR availability of research data from the cultural heritage domain is fundamentally important, not only for future academic success in the humanities but also for the cultural identity of individuals and society as a whole. Up to now, no coordinated effort for professional research data management on a national level exists in Germany. NFDI4Culture aims to fill this gap and create a user-centered, research-driven infrastructure that will cover a broad range of research domains from musicology, art history and architecture to performance, theatre, film, and media studies.</jats:p> <jats:p>The research landscape addressed by the consortium is characterized by strong institutional differentiation. Research units in the consortium's community of interest comprise university institutes, art colleges, academies, galleries, libraries, archives and museums. This diverse landscape is also characterized by an abundance of research objects, methodologies and a great potential for data-driven research. In a unique effort carried out by the applicant and co-applicants of this proposal and ten academic societies, this community is interconnected for the first time through a federated approach that is ideally suited to the needs of the participating researchers. To promote collaboration within the NFDI, to share knowledge and technology and to provide extensive support for its users have been the guiding principles of the consortium from the beginning and will be at the heart of all workflows and decision-making processes. Thanks to these principles, NFDI4Culture has gathered strong support ranging from individual researchers to high-level cultural heritage organizations such as the UNESCO, the International Council of Museums, the Open Knowledge Foundation and Wikimedia. On this basis, NFDI4Culture will take innovative measures that promote a cultural change towards a more reflective and sustainable handling of research data and at the same time boost qualification and professionalization in data-driven research in the domain of cultural heritage. This will create a long-lasting impact on science, cultural economy and society as a whole.</jats:p>


2019

Nationale Forschungsdateninfrastruktur, die Initiative NFDI4Culture und die Musikwissenschaft

M. Pasdzierny, D. Röwenstrunk, D. Schmidt, Die Musikforschung (2019), Heft 3/2019


Fokusthemen und Aufgabenbereiche für eine Forschungsdateninfrastruktur zu materiellen und immateriellen Kulturgütern. Living Document der NFDI-Initiative NFDI4Culture.

R. Altenhöner, K. Bicher, C. Bracht, O. Brand, I. Blümel, K. Bulle, M. Effinger, A. Hammes, T. Hartmann, A. Kailus, J. Kett, S. Pittroff, D. Röwenstrunk, G. Schelbert, D. Schmidt, T. Schrade, H. Simon, G. Taentzer, J. Veit, F. Voß, A. Walzel, B. Wiermann. Fokusthemen und Aufgabenbereiche für eine Forschungsdateninfrastruktur zu materiellen und immateriellen Kulturgütern. Living Document der NFDI-Initiative NFDI4Culture.. 2019.

DOI


2018

Langzeitverfügbarkeit von wissenschaftlicher Software im Bereich historisch-kritischer Musikedition

D. Röwenstrunk, Bibliothek Forschung und Praxis (2018), 42(2), pp. 302–308

Long-term availability of research findings is a challenge for research, software development, and memory institutions altogether. This often includes the necessity to keep research software running over a long time. There are various methods and actions like standardization, emulation, or the development of research software by an open source community which can be taken to achieve this goal.


2016

Projektmanagement in digitalen Forschungsprojekten

A.M. Komprecht, D. Röwenstrunk, in: „Ei, dem alten Herrn zoll’ ich Achtung gern“, Allitera Verlag, München, 2016


2015

Das Gesamtkunstwerk Oper aus Datensicht

D. Röwenstrunk, T. Prätzlich, T. Betzwieser, M. Müller, G. Szwillus, J. Veit, Datenbank-Spektrum (2015), pp. 65-72

DOI


2010

Die digitale Edition von Webers Klarinettenquintett – Ein Vergleich der Edirom-Versionen 2004 und 2008

D. Röwenstrunk, in: Digitale Edition zwischen Experiment und Standardisierung, 2010

DOI


2007

Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen

J. Kepper, D. Röwenstrunk, Forum Musikbibliothek (2007), 28(1), pp. 36-49


Open list in Research Information System